Chapter 5
Chapter 5: The interview
The camera setup takes twenty minutes. Zoe watches the lighting tech adjust a softbox aimed at her face, then at Cole's, checking the angles with a light meter. She's done this before—not often, but enough to know the dance. The journalist, a woman named Priya from Sports Illustrated, sits across from them in a leather chair, her voice recorder and backup phone both on the glass table between them.
"Just relax," Priya says. "This is conversational. I want real."
Zoe's good at real that isn't.
Cole sits beside her on the low couch, close enough that their shoulders almost touch. He's wearing the charcoal button-up they picked for the shoot—they'd picked together, actually; she'd held up three options and he'd pointed to this one without explanation, which meant something about it worked. Now he's waiting, hands loose in his lap, already looking at ease in a way that makes her jaw tighten.
"So," Priya begins, flipping to a fresh page in her notebook despite the recorder running. "You two are the most competitive couple in US track right now. How does that work?"
Zoe opens her mouth. She's rehearsed this. The angle is that they push each other, make each other better, blah blah, the $2M sponsorship deal exists because the brands love the narrative. Rivals who couldn't deny the spark. Competition as foreplay.
Cole speaks first.
"It works because we respect what the other person is doing," he says. His voice is even, no performance in it. "Most people don't get it. You can't just turn off competitive fire because you're with someone. So we don't ask each other to. We show up for the work, and we show up for each other."
Zoe turns her head to look at him. He's not looking at her, just at Priya, but the words land wrong—not like lines. Like truth.
"I mean, yeah," Zoe says, and her own voice sounds strange to her. "Yeah, that. We don't pretend the competition isn't there. It's—we're in it together in the way that matters."
She didn't plan that.
"What does that mean?" Priya leans forward slightly. "The way that matters?"
Cole shifts, and his shoulder brushes Zoe's. He doesn't move away.
"It means when she runs a personal best, I'm in the stands losing my mind," Cole says. "And when I have a bad race, she's the first person to tell me what we're fixing next. The Olympic spot is one thing. But we're in this sport together, and that's another thing."
Priya's pencil moves. "And the Olympic spot—there's only one available in the 100m men's and women's trials, correct? Given your qualifying times, both of you have a real shot."
Here's where Zoe was supposed to laugh it off. Make a joke about being good at separate things. Keep it light.
"One of us doesn't make it," she says instead. "That's the situation."
Cole's head turns slightly. She doesn't look at him.
"How do you talk about that?" Priya asks.
"We don't," Zoe says.
"Not yet," Cole adds at the same time.
They both stop. Priya's eyes sharpen with interest.
"We will," Cole continues. "But right now, the focus is on the work. The rest is—" He pauses. "The rest is distraction."
"For her or for you?" Priya asks.
"For both of us," Cole says quietly.
Zoe's heart is doing something irregular. She crosses her legs, recrosses them. The couch is too small. She can feel the heat coming off his arm, and he's not even touching her, just sitting in his own space, just being present in a way that feels like pressure.
"When did you know?" Priya asks. "That this was more than just the sponsorship narrative?"
Zoe's throat goes dry. This is not on the prep sheet. This is the kind of question that separates good interviews from gotcha interviews.
"Pretty fast," Cole says. He's still not looking at her. "I knew her times before I knew her. Knew her reputation—sharp, doesn't take shit, shows up every single race ready to demolish you. And then I met her and she was the same person. That matters to me."
Priya's pencil is flying now. She's getting the real thing and she knows it.
"And you, Zoe? When did you know?"
Zoe has rehearsed this. The answer is supposed to be cute, demuring, something about how he was persistent or funny. Something that makes them look like a real couple while maintaining plausible deniability if everything blows up.
Instead: "When he showed up to my track session the day after we met. Just showed up. No announcement. Didn't run—just watched from the stands. And I knew I was racing better because he was there, and I hated it."
Cole's head turns. She can feel it, the shift in the air. She stares straight ahead at Priya.
"Why did you hate it?" Priya's smile is sharp.
"Because it meant someone was in my head," Zoe says. "In a way I couldn't control. I can control everything about my race—my time, my form, my breathing. I can't control the fact that he was in the stands."
"Can you now?" Priya asks.
Zoe doesn't answer right away. Cole's still looking at her. She can feel the weight of that attention like a hand pressed between her shoulder blades.
"No," Zoe says finally.
The interview winds on for another thirty minutes. Priya asks about training, about the 2028 games, about what losing would feel like. Cole answers like it's a real relationship. Like her opinions matter. Like they've made this decision together to try.
Zoe answers the same way. She hears herself doing it and can't seem to stop. Every question that requires her to talk about how she feels about Cole, she tells the truth. About how he runs smooth when he's calm, how his starts are getting sharper, how she watches him in the pool and can't look away.
At some point in the back half of the interview, it stops being strategy and starts being testimony.
When Priya finally packs up her recorder, she says, "That was perfect. Really perfect. I can feel the chemistry."
After she leaves, after the camera crew disperses and the green room empties out, Zoe stands in the hallway. Cole's beside her, both of them waiting for the same car to pick them up.
"That," Cole says quietly, "was different from what we talked about."
Zoe doesn't look at him. "You changed it."
"No," he says. "I didn't."
The car pulls up. He holds the door for her. She gets in and slides to the far side of the seat, putting as much space between them as the car allows. He sits down slowly, like he's figuring out a math problem.
"Are we doing something we didn't mean to?" he asks.
"Shut up," Zoe says. But her voice isn't hard, just tired.
Two weeks later, the issue hits newsstands. Zoe finds it at the Target near the center, picks it up without letting herself think about it, and takes it back to her room.
She reads it once with her heart in her throat.
Then she reads it again, looking for the seams. Looking for where they'd gone off-script, where the interview had slipped into something that wasn't the plan. Looking for the moment it stopped being performance.
She can't find it.
Every word is real. Every answer is true. Cole talking about her like she's something worth watching. Her talking about him like the sound of his footsteps matters. The journalist has woven it all into a love story, which means there's no way to separate the narrative from the truth, because they're the same thing now.
Zoe sits on the edge of her bed, the magazine open in her lap, and reads the pull quote three times: "The Olympic spot is one thing. But we're in this sport together, and that's another thing."
He meant it. She heard him meaning it while he said it.
And when Priya asked why she hated that he was in the stands, Zoe had told the truth too—told it in front of a camera, on the record, in a way that can't be unsaid or redacted.
She closes the magazine. The cover reads: "THE MOST COMPETITIVE COUPLE IN US TRACK: How Zoe Park and Cole Mercer Make Rivalry and Romance Work."
Her phone buzzes. A text from Cole: "You read it yet?"
She stares at the words.
Another buzz: "Zoe?"
She doesn't answer. She can't think of what the answer is anymore. Can't find the line between what was supposed to happen and what's happening now. Can't figure out where the script ended and real life began, or if there was ever a difference at all.
Zoe opens her phone, pulls up the article online, and reads the interview one more time, searching for the lie. Looking for the moment one of them stopped performing.
There is none.
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