Chapter 18
Chapter 12: The Disclosure Problem (Continued)
He went downstairs and crossed the small landing to Wren's door. He did not knock. He had not knocked in three days. She had given him a key that morning, pressed into his palm with a kiss that had nearly made him late to a meeting, and the small metal object was still unfamiliar in his pocket.
The door was unlocked. He let himself in.
Wren looked up from the pot. "Your sister?"
"How did you know?"
"You have a specific face for family phone calls. Tight around the eyes. Like you're being gently interrogated by people who love you."
"That's unnervingly accurate."
"I'm good at faces." She stirred the pot. "What did you tell her about me?"
Marcus leaned against the counter. "I told her you were an herbalist."
Wren's eyebrows rose. "An herbalist."
"It was the closest thing to a reasonable description I could produce under pressure."
"Mm. And how did that go?"
"She thinks I'm in love with an herbalist."
Wren stopped stirring. "Does she now."
"She also said you're exactly what I needed, which was offensive and probably true."
Wren turned to face him, the spoon still in her hand. There was something careful in her expression, a guardedness he had not seen since the early days of their acquaintance. "Marcus. You don't have to tell your family about me. I'm not a secret that needs resolving."
"I know."
"And you don't have to explain what I do. You can say I'm a consultant. You can say I'm a small business owner. You can say whatever keeps you comfortable."
"I don't want to be comfortable," he said. "I want to be accurate."
"Those aren't always compatible."
"I know that too."
She set the spoon down. "So what do you want?"
The question was direct in the way Wren's questions always were, cutting through the scaffolding of his careful sentences to the thing underneath. Marcus looked at her—really looked at her, the way she stood in her kitchen with herbs drying above the sink and a copper pot steaming on the stove and the threshold charm humming faintly on the door behind him—and felt the answer settle into place with the weight of a fact.
"I want to stop trying to describe you," he said. "I want to just... have you be real. In my life. In whatever way you'll let me have you."
Wren was very still. Then she crossed the kitchen and stopped in front of him, close enough that he could smell the rosemary on her hands and the lavender in her hair. She reached up and adjusted his collar, a small domestic gesture that felt more intimate than almost anything they'd done.
"I'm real," she said. "I'm here. You don't have to solve me for your family."
"I know."
"And when you're ready to tell them the truth, I'll be ready to help you find the words."
"Will there be words?"
"Probably not good ones." She smiled. "But we'll find them together."
Marcus pulled her closer. She came easily, fitting against him in the way she had started to fit, as if their bodies were learning a shared geometry. He rested his chin on top of her head and looked at the kitchen—the jars, the herbs, the repaired glass catching the afternoon light—and thought about how much of his life had been spent measuring things he could not keep.
"Rachel wants to meet you," he said.
"Tell her I grow excellent basil."
"She won't believe me."
"Then tell her the truth." Wren tilted her head back to look at him. "Tell her I'm the woman who finally made you stop updating your spreadsheet."
Marcus laughed, surprising himself. "That's not accurate. I started a new spreadsheet."
"You did?"
"'Variables I No Longer Need to Solve.' You're the first entry."
Wren studied him with an expression he couldn't quite name. "That might be the most romantic thing anyone has ever said to me."
"It's a spreadsheet reference."
"I know." She stood on her toes and kissed him, brief and warm. "That's why."
His phone buzzed in his pocket. Rachel, probably, or David, or someone else demanding his attention. Marcus ignored it. He was learning, slowly, that some interruptions were more important than others.
Wren pulled back and returned to her pot. "You should answer your emails."
"I should."
"And then you should come back and help me jar this salve."
"I don't know how to jar salve."
"I'll teach you. It's mostly not making a mess."
Marcus went back to his apartment and answered David's email. He typed the words he needed to type, attached the file he needed to attach, and hit send with the efficiency that had carried him through years of professional life. Then he closed his laptop and went back next door.
Wren had set out two jars, a funnel, and a cloth. She showed him how to hold the funnel steady, how to pour without spilling, how to seal the jar with a piece of waxed paper and a lid. Her hands moved over his, correcting his angle, and he found himself thinking that this was a kind of magic too—the ordinary kind, the kind that turned two people into something they had not been before.
When they were done, she wrote labels in her neat handwriting and he helped her carry the jars to the shelf where she stored her finished work. The shelf was getting crowded. There was a small space at the end that looked like it had been waiting for something.
"That's yours," Wren said, pointing to the empty space.
"What is?"
"The spot. For whatever you leave here. A toothbrush. A notebook. Your other sock."
Marcus looked at the empty shelf. It was a small thing, a few inches of space, but it felt enormous. "You're giving me shelf space."
"I'm giving you permission to take up space." She bumped her shoulder against his. "Different thing."
He took out his phone and texted Rachel: She's not an herbalist. I'll explain when I'm ready. But she's exactly what I needed, and I don't know how to explain that either.
Rachel replied in seconds: That was a better description. Tell her I said hi.
Marcus put his phone away. Wren was watching him, waiting.
"She says hi," he said.
"Hi back." Wren took his hand. "Now come help me decide what to make for dinner. I have herbs and opinions."
"Those are your primary qualifications."
"And a few others you'll discover later."
Marcus followed her into the kitchen, leaving the empty shelf where it was, waiting.
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