Midnight FableMidnight Fable

The Witch Next Door

Ch. 15 - Chapter 11: The Morning After the Equation

Chapter 15

Chapter 11: The Morning After the Equation

Marcus woke up because something was pressing against his ribs in a way that his mattress had never pressed against his ribs.

It took him several seconds to understand that the pressure was a knee. Specifically, Wren's knee, wedged comfortably against his side as she slept with her head on his chest and one arm thrown across his stomach. They were on her couch. He was still wearing his shirt from the day before, though his shoes were somewhere on the floor. His glasses were not on his face. This was a problem because the world beyond twelve inches was a soft blur of warm colors, and he needed the world to be sharper than that if he was going to figure out how he'd ended up here.

He remembered the kiss.

He remembered it with the kind of clarity that made the rest of the night feel like it had happened underwater. The kitchen floor. The coffee going cold on the counter. Wren's hands in his hair, her mouth against his throat, the small sound she'd made when he'd pulled her closer. After that, time had become elastic. They had moved from the kitchen to the couch at some point, still talking in fragments, still touching with the surprised tenderness of people who had finally been given permission. He had the vague impression that he had told her something important—possibly several important things—but he couldn't retrieve the exact words.

What he could retrieve was the fact that he had never woken up with anyone on top of him in a way that felt this uncomplicated.

Wren stirred. Her hand flexed against his stomach, and then she went very still, the way people do when they've just realized they're awake. Marcus held his breath. He had no idea what the morning-after protocol was for a woman who could reassemble broken glass with a single word and had, approximately eight hours ago, reduced him to a state of communicative failure with nothing more than her mouth.

"You're awake," she said into his chest. Her voice was rough with sleep.

"I am."

"You're also wearing one sock."

He looked down. She was right. One black sock. The other foot was bare and slightly cold.

"I don't remember taking the other one off," he admitted.

"You didn't. It came off in the couch cushions around two in the morning when you were trying to find a comfortable angle for your shoulder." She lifted her head. Her hair was a disaster, dark strands falling across her forehead in a way that made him want to brush them back. Her eyes were very green in the morning light. "You declared that the couch was 'an inferior data-gathering environment for sleep architecture' and then fell asleep mid-sentence."

Marcus stared at her. "I said that?"

"You did."

"Out loud?"

"Mm." She was smiling now, the small private smile he had seen maybe half a dozen times and already catalogued as dangerous. "You also said my hair smelled like rosemary and something else, and that the something else was 'statistically significant.'"

He closed his eyes. "I'm going to need you to forget I said that."

"No." She settled back down against him, apparently in no hurry to move. "I'm keeping it. It's going in the permanent record."

"There's a permanent record?"

"There is now."

Marcus let himself look at the ceiling. It was painted a soft cream color, and there was a water stain near the light fixture that had been shaped into something almost deliberate by a previous tenant's attempt at repair. He had never seen Wren's ceiling before. He had seen her kitchen, her consultation room, the edge of her herb garden through his window. He had not seen her couch from this angle, or the stack of books on the side table, or the throw blanket draped over the armchair that looked like it had been knitted by someone who loved her.

Everything was ordinary. Everything was extraordinary because it was hers.

"I can't find my glasses," he said.

"They're on the windowsill. You put them there last night because you said they were 'creating an unnecessary barrier to proximity.'"

"I really need to stop talking."

"Please don't." She tilted her face up to look at him. "I like you talking. I especially like you talking when you don't know what you're saying. It's the only time you don't edit yourself."

Marcus felt something shift in his chest, a small structural adjustment. He had spent his adult life editing himself. Precision was a form of protection. With Wren, precision kept failing him, and somehow that failure was becoming its own kind of safety.

"Do you want coffee?" she asked.

"More than I want most things."

"Good. I make terrible coffee and you're going to pretend it's fine."

She untangled herself from him with the ease of someone who had decided the moment of awkwardness was optional. Marcus watched her stand, stretching her arms above her head. She was still in the oversized grey sweater from the night before, and her bare legs disappeared into a pair of wool socks that had probably been a gift. She looked sleep-rumpled and real and completely unconcerned with the fact that he was still on her couch, one sock missing, his entire internal framework rearranged.

He found his glasses on the windowsill and put them on. The room snapped into focus. There were details everywhere: a half-burned candle on the bookshelf, a dried bundle of lavender hanging beside the door, a framed photograph of an older woman with Wren's eyes. On the coffee table, his notebook lay open to a blank page. He had no memory of opening it.

In the kitchen, Wren was already moving with the efficiency he recognized from watching her through the window. Water into kettle. Mug selected with certainty. A jar of something herbal produced from a cabinet. She moved around the small space as if it were an extension of her body, and he had the sudden, disorienting thought that he wanted to learn this kitchen the way he knew his own.

"You have a photograph of your mother," he said.

Wren glanced toward the living room. "Yes."

"You have her eyes."

"I have her everything, according to her." There was affection in the words, and something else—old loss, worn smooth by time. "She would have liked you. She had a thing for men who asked too many questions."

"Your father?"

"Asked exactly the right number of questions, apparently. They were married for thirty-two years." She handed him a mug. The coffee was darker than he usually drank it, and it smelled faintly of something woody. "Drink. Pretend."

He drank. It was not terrible. It was strange—strong and slightly bitter in a way that suggested the herbs were doing more than flavoring—but it was not terrible. He told her so.

"You're a liar," she said, pleased.

"I'm a man who has learned to recalibrate his standards."

Wren leaned against the counter, cradling her own mug. The morning light came through the window at an angle that turned her hair the color of dark honey. Marcus stood three feet away and felt the distance as a physical thing, a field of possibility. Last night he had crossed spaces smaller than this without thinking. This morning, every inch felt weighted.

"What happens now?" he asked.

She didn't pretend not to understand. "Now we figure out if last night was a moment or a pattern."

"Which do you want it to be?"

Wren studied him over the rim of her mug. "I don't do well with people who want me to perform my answer before I've had a chance to think it through."

"That's fair."