Midnight FableMidnight Fable

Rivals

Ch. 18 - Chapter 18: What She Can't Take Back

Chapter 18

Chapter 18: What She Can't Take Back

Chapter 18: The Real Part

They go outside.

It's July in Los Angeles, which means the evening is warm and the sky has that orange-grey wash that happens when the sun hits the haze. The hotel has a small courtyard with chairs that nobody was using. They take two.

Zoe has the qualifying bib in her bag. She's been carrying it since the race, unwilling to put it anywhere fixed yet, like setting it down is committing to a version of the day that includes all of it — including Cole in lane 6, including 0.08 seconds, including everything that came after.

She takes it out. Sets it on the arm of the chair.

"Have you told your mom?" he asks.

"Texted her after the media session." She looks at the bib. Gold. Her lane number and the Olympic qualifier stamp. "She called back in thirty seconds."

"What did she say?"

"She cried for about forty-five seconds and then immediately started asking about whether I'd need new gear for Paris because she'd seen a jacket she wanted to buy me."

He laughs. The real one — not the event laugh, the actual one that she'd first heard during the storm, sitting on the hotel room carpet eating room service. It sounds fuller in the open air.

"That sounds like her," he says.

"You don't know her."

"I know what you've told me about her."

She looks at him. He's right. She's told him more about her mother over the past months than she's told most people — in pieces, in asides, in the particular vulnerability of late nights and the long hours of training camp where the walls come down because there's nowhere for them to go. He'd listened the way he does everything: completely.

"She'd like you," Zoe says.

"I'm the person who didn't make the Olympic team."

"She doesn't actually care about that."

"The sponsorship deal helped pay for her treatments."

"That's why you'll be her favorite person in the room." She says it simply, because it's true. Her mother keeps score in currency that has nothing to do with split times.

Cole is quiet in the way that means he's feeling something and choosing not to rush past it.

"What did your coach say?" she asks. "After."

He leans back in the chair. "That 9.81 is the fastest I've run since I was twenty-two. Personal best. That 0.08 against someone running a 9.73 is a margin I can close." He traces the chair arm with his fingers. "That I should take a week and then get back to work."

"Good advice."

"He's a good coach." A pause. "He also said something like, make sure whatever you're doing personally isn't going to compromise the next cycle."

She raises her eyebrows.

"I told him it wouldn't," Cole says. "Because the thing I'm doing personally is—" He glances at her. "You. Who also runs. Who has the same training instincts and 5 AM protocols and inability to eat garbage the week before a race. So it should actually be fine."

"That's a very clinical endorsement."

"I'm trying to be accurate."

She smiles. Not the media smile, not the one from the first photo shoot, not the one she'd learned to produce on cue. The one she has when she's not managing anything. It just happens.

He sees it. She can tell by the way his expression changes.

"For the record," she says, "I told my coach I was focusing entirely on Olympic prep for the next four months and nothing personal was going to compromise that."

"And was that a lie?"

"That was me telling him the truth and not the whole truth at the same time."

"Ah," he says. "We're back to the truth thing."

"We were always on the truth thing." She looks at the qualifying bib on the chair arm. Gold, her lane, today's date. "Here's the truth: I'm going to Paris and you're not, and that's going to mean four months of a gap. You'll be running here. I'll be in the village. And after that—"

"After that is after that," he says. "I can handle four months."

"I know you can. I'm telling you I can too."

He looks at her. "Yeah?"

"Yeah." She picks up the bib. Holds it in both hands. "I've been running next to you for three months. I think I can handle four months of not running next to you if it means eventually running next to you again."

A beat of quiet.

"For what it's worth," Cole says, "that's the least romantic thing anyone's ever said to me that somehow worked."

"I'm a sprinter. We're not built for long confessions."

"No." He leans over slightly, just close enough. "Neither am I."

The courtyard is still empty. The city keeps doing what cities do. She can hear a distant siren, someone's music from somewhere, the ordinary soundtrack of a place that doesn't know or care about Olympic qualifier times or sponsorship contracts or the distance between lane 4 and lane 6.

She reaches over and puts her hand in his. Not for a camera. Not for a caption. Just because she wants to, which is the only reason that has ever actually mattered.

He takes it.

"Okay," he says.

"Okay," she says.

His thumb traces a slow circle on the back of her hand — the same gesture from the first photo shoot, she realizes. The first time she'd felt it, she'd told herself it was performance. She'd told herself a lot of things in those early weeks that she'd gradually stopped believing.

"You're going to run well in Paris," he says.

"I know."

"I'm going to be watching."

She looks at their hands. She knows what she wants to say. She's known it since the finish line, maybe longer — since the storm, since the carpet, since the first morning she'd let herself run beside him without calculating what it meant. There's a word for what this is. She's been not saying it for weeks because saying it changes the geometry of everything, and she's always been careful about the things she can't take back.

The courtyard is still empty. The city doesn't know or care. He'd hear it and he'd know she meant it.

She looks at him.

He waits.

You've finished Rivals.