Midnight FableMidnight Fable

Rivals

Ch. 10 - Chapter 10: Suite 412

Chapter 10

Chapter 10: Suite 412

Chapter 10: The First Night

The hotel manager leans on the counter like he's personally offended by the weather report. Rain hammers the lobby windows hard enough to vibrate the glass.

"That's the last one," he says, handing Zoe a keycard. "Suite 412. Two beds, king-size. You'll be comfortable."

She doesn't look at Cole. Can't, actually, without her face doing something stupid. "Comfortable" is doing a lot of work in that sentence.

The bus broke down three miles from here. The rain came down like it was being poured from a bucket. The rest of the team is scattered across four other hotels; she and Cole got this one by pure bad luck and worse timing. A sponsorship event in San Diego meant early morning transport, meant the agency's SUV was the last to leave, meant they got stranded together while everyone else made it out.

The elevator smells like industrial carpet cleaner. Cole stands in the corner, water dripping from the collar of his warm-up jacket. He hasn't spoken since the lobby except to confirm he'd wait for the suite instead of taking a regular room. Like he trusts the manager's explanation. Like this isn't exactly what their contract said wouldn't happen.

She watches the floor numbers climb.

"I'll take the floor," he says when the doors open to their hallway.

"Don't be stupid."

"Says the person who's been glaring at that keycard like it personally insulted your family."

Zoe steps into the suite. Cream walls, dark wood furniture, one king bed and one queen bed separated by about four feet of carpet that might as well be a minefield. The windows face the ocean; the storm is a wall of grey.

"You're not sleeping on the floor," she says.

Cole drops his travel bag on the bench at the end of the queen bed. "And you're not going to let me, so I'm guessing this is about to become a thing."

She could argue. There's a whole lot of argumentative energy in the room, swirling around like the wind outside. Instead, she goes into the bathroom, closes the door, and turns on the shower as hot as she can stand it. The spray hammers her shoulders. She watches the water spiral down the drain and tries not to think about the way he looked at her in the elevator, like he was already calculating angles, strategizing.

Like he was remembering that they're very good at competition.

When she comes out, he's on the phone with the agency. "Yeah, we're fine. One room. Yeah, I know." He glances at her, and something in his expression shifts. "We'll manage. Let me know when transport is running again."

He hangs up and disappears into the bathroom. She hears the shower start, and she sits on the edge of the queen bed and scrolls through her phone until the time feels normal, until she can pretend this is just any other storm day.

He comes back in sweats and a grey t-shirt, towel around his neck, hair still damp. The room suddenly feels smaller.

"We should talk about this," she says.

"What's to talk about? Two separate beds. Doors to both the bathroom and the hallway. We've done harder things."

"We've never done this."

Cole sits on his bed, which is close enough that she can see the water still beading on his shoulders. "We've been in proximity for three months. Trained at the same facility. Done joint media appearances. Went to a gala together."

"With a hundred people watching."

"Right. And this is different how?"

The storm hits the window like it's trying to get in. Zoe stands up, walks to the glass. She can barely see the parking lot through the rain. "It's not on camera."

"So?"

She turns back to him. "So we don't have to pretend."

Something happens to his face. It's fast, but she catches it—a kind of recognition, like she just said something he didn't know he was waiting to hear.

"I thought you liked performing," he says.

"Shut up."

"Come on. The public statements, the hand-hold walks, the Instagram couples aesthetic. That's you performing."

"I'm doing my job. We're both doing our job."

"Yeah, and your job is looking like you don't hate this as much as you actually do." He leans back, and there's a hint of that slow-burn smile. "But now we don't have to. So what do you actually want to do?"

Zoe sits back on her bed. There's an energy building in her chest that isn't anger, though it feels similar—sharp, hot, impossible to swallow. "I want to not think about Olympic qualifying times and sponsorship clauses and the fact that in four months, one of us is going to Paris and the other is going to be explaining to everyone why we didn't make it."

"Okay."

"Okay?"

"Yeah. We don't talk about any of that." He reaches over to the nightstand, turns on the TV. "Storm's supposed to pass around 2 AM. We have, what, five hours?"

"You want to watch TV?"

"I want to not think about it either."

He flips through channels until he finds a random movie—some heist thriller that's already halfway through. It doesn't matter. Nobody's actually watching it.

But it gives them permission to exist in the same space without performing.

Around eleven, Zoe orders room service. Cole doesn't argue. They eat sitting on the carpet between the beds, knees almost touching, and she tells him about the time her mom tried to make her quit track because she was "too angry about winning."

"Was she right?" he asks.

"Completely. I was seventeen and absolutely feral about it."

"You're still feral about it."

"Yeah, but I've learned to be feral in productive ways."

He laughs—actually laughs, not the polished laugh from the gala—and tells her about the year after his injury when he couldn't train, when he worked at a grocery store in Berkeley, when his physical therapist kept saying he'd never run the same way again.

"Did you believe her?" Zoe asks.

"No." He says it without drama. "That was the first time I understood I'd do this no matter what anyone told me."

She looks at him then. Really looks. The TV is a low murmur, some heist gone wrong in another city. The storm has gone quiet—just rain now, not artillery. They're still on the carpet between the beds, the empty room service trays pushed to one side, knees a few inches apart in the half-dark. She is suddenly aware of exactly how many clauses in their contract cover this precise scenario.

She knows what she should do. Move to her bed. Say goodnight. Let tonight be the thing they never discuss—two professionals, one storm, nothing more.

She doesn't move.